![]() He describes this as being when a child creates multiple projections of himself/herself which later is overcome and the child develops his/her ego. The degree of development which Freud refers to in these terms is that of his theory “narcissism of the child” (or self-love). The “double” which in Freud’s terms appears as a degree of development. It is these themes of uncanniness that then allowed for Freud to suggest the idea of the “double”. This barrier is what then brings the two together to form the “uncanny” – when something unfamiliar gets added to which is familiar. He describes the barrier between the two as Heimlich meaning familiar, and unheimlich meaning something which is concealed or kept out of sight (Freud 3). He uses the two words to first create a barrier between their meanings, but as he continues on the two merge to create a meaning behind what the “uncanny” really is. In his essay, Freud refers to the German words Heimlich and unheimlich. Freud’s definition of the uncanny leads me to an even bigger theoretical question about the idea of the “double” which I will address shortly, but first let us take a closer look at Freud’s idea of the uncanny. Freud opens his essay by giving a definition of what “uncanny” is: “belonging to all that is terrible – to all that arouses dread and creeping horror…” (Freud 1). The “double” is a theme that has quite often been addressed over centuries of time one of the most iconic being in Sigmund Freud’s essay titled The Uncanny. Cornel West on the indifference in our society and how he thinks the humanities can help heal it Reading Between the Lines: Diversity and Empowerment in Comics Jen Boyle 54753b17178fb39025a916cc07e3cb6dd7dbaa99 Freud's Uncanny Double: A Theoretical Study of the Portrayal of Doubles in Film 1 black-swan-movie-3.jpg T07:18:00-08:00 Brittany Stutzman f73e27e29c3edd5653e123700b98e14046caf467 12888 8 This chapter of the book will look at the history of the theme of the "double" using Freud's Uncanny as the theoretical insight of the self perception of the double in film/cinema image_header T19:38:44-08:00 Brittany Stutzman f73e27e29c3edd5653e123700b98e14046caf467 Opening? Cornel West, W.E.B Du Bois, and Natasha Trethewey Sleep Dealer - Digital Labor By Melissa Harby The Kevin Spacey Effect: Video Games as an Art Form, the Virtual Uncanny, and the Simulacrum The Twilight Zone in the Uncanny Valley Introduction The Virtual Economy and The Dark Web How Our Economy is Changing Behind the Scenes Transgender Representation and Acceptance in the Mainstream How the trans* movement has caused and exemplifies the spectralization of gender A Voice for the Humanities in A Divided America Dr. (Also a mash-up video between Eddy and Edith and Break Free.) “Pieces of Herself”: Key Signifiers and Their Connotations Is the Sonographic Fetus a Cyborg? How sonographic technology initiates gendered socialization Post-Capitalism: Rise of the Digital Laborer Paradox of Race Dr. Id ego superego examples in movies Offline#Offline Identities A fictional story about online identities and offline identities. Cornel West and Black Lives Matter MacKenzie McKeithan-Prickett Determination in Gaming The Mind Set and Experience The Hope for a Monstrous World Without Gender Introduction to "A Cyborg Manifesto" and Thesis From Literacy to Electracy: Resistant Rhetorical Bodies in Digital Spaces Ashley Canter "Eddy and Edith": Online Identities vs. Theory in a Digital Age : A Project of English 483 Students, Coastal Carolina University Main Menu Theory in a Digital Age Remediation This chapter will showcase how the remaking of art can leave its impact. Please enable Javascript and reload the page. This site requires Javascript to be turned on. ![]()
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